Samstag, 11. August 2018

Deep Purple - Machine Head (1972)



For many Machine Head is the best album of the Mk2 era. An opinion I never really shared. Sure it has Highway Star, Space Trucking, Lazy and - of course - their biggest hit, Smoke on the Water. A strong line-up of songs. But is it really? Let's have a look.

The opener, Highway Star, features a perfectly executed build-up and a machine-precise, driving groove in perfect interplay with vocals, riffing and spot-on neoclassical* soloing. Its a showcase piece of what this band was able to. I think you can't handle the subject matter more elegantly than with with Highway Star. An outstanding piece of music. Pure genius.

Other songs, like Maybe I'm a Leo, Pictures of Home and Never Before tell a different story though. Not that they are bad. They are all very well executed, but they don't excite or offer much memorable. Highway Star is a song that evolved and got perfected on stage, resulting in such a well-composed and exciting piece of music. The trio above, on the contrary, simply feels generic.
Ironically, Never Before was actually the song the band gave the most chances of being a hit single. It consequently has been released as one (with a much more captivating When a Blind Man Cries as B-side) and peaked at - #35 of the UK charts. So much for good judgement. I wonder if that's a sign of the band getting tired already of their Sturm und Drang-sound of In Rock and Fireball.

Smoke on the Water though, I guess I don't have to say too much about that one. Maybe just so much: its a really good song, no doubt. With a very catchy riff obviously. Overplayed? Definitely, Overrated? Maybe a little! Being consistent with their former decision with Never Before, the song was not released as a single. At least not initially. Only after radio stations picked it up, it was eventually released. In May 1973.

The two remaining songs on the original release, Lazy and Space Trucking are a cut above the trio Maybe, Leo and Never, but again not as inspired and captivating as you would expect from such a highly rated album. Lazy is, after a very tasteful keyboard-intro, basically a refined jam-session based a catchy guitar riff. Its really nice to hear the band grooving along. No doubt about that. They are  so organic and precise - but that's just not enough to make a great song out of it.
And Space Trucking is in its studio-version maybe a bit too restrained to really take off, which is a pity, since everything seems to be in place: a really catchy riff (played with an Hammond organ via Marshall guitar-amps, actually), silly, catchy vocals and once again their superb rhythm-section. Blackmore has some good moments as well.  Now, if that song would been a couple minutes longer, with a bit more experimentation...

So much for the original release on LP. Later versions of the album include When a Blind Man Cries. A song so touching and fragile that it makes me really wonder why it didn't make it on the album initially. Especially, since Machine Head stays well under the 40-minute mark without it. Maybe it didn't fit to their image to have a ballad, who knows. Then again, Fireball had Anyone's Daughter, and having one ballad as a little breather doesn't sounds like such a bad idea to me, if there is so much space for off-the-shelf rock songs on this record.

In the end, Machine Head lives from a couple outstanding songs, with some generous padding by mediocrity. In terms of creativity and excitement it can't reach Fireball, or In Rock, which were daring and have their sparks flying so much more than this record. On the other hand, Machine Head is more focussed and compact and maybe a bit more radio-friendly this way. The sound has also improved quite notably compared to its predecessors, being nicely crisp and transparent.
Overall its still a good album. Maybe not as inspired as it could be, but listening to a band that plays so well together like Deep Purple makes it still a quite enjoyable thing.








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